How to describe wind in a story

Email Address. A lot of writers struggle with describing settings. Hopefully, this will make your writing go faster. I always include simple as well as more creative ways to describe or write about weather. Sometimes, the simple word is the one you want! I included dryness and humidity in a few of the categories because it felt weird for them to get their own.

As always, this is not a comprehensive list, and I might add to it. My list will probably make you think of other possibilities, too. Bookmark or pin it for future writing reference!

I love them, so I had to add a few positive descriptions. Check it out! Do you describe weather conditions in your writing? Do you have a favorite example of a weather description?

Let me know in the comments! Thanks for reading, and happy writing! In my current WIP, weather is a crucial element. Not only is the woman in the romance a professional photographer — of weather — but it is a weather phenomenon, namely a tornado, that brings them together.

So the description of the sky and the weather is quite detailed in places specially as the supercell storm roars down on them.

how to describe wind in a story

It says a huge amount with only two words. Hi Chris!Writers know that using the senses is a great way to make stories come alive. Use this comprehensive list of words that describe sounds when you write.

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You have to use the five senses when you write. Readers want to experience what your characters see, smell, hear, taste, and touch. Using the senses is one of the best ways for writers to learn how to show and not tell. We even have one for words that describe colours.

In this post I have included words that describe sounds. Many of these words that help you show and not tell are examples of onomatopoeia. These words imitate natural sounds. LOOK : If you want to learn how to write a book, sign up for our online course. Nice one, Amanda. Minutes of meetings, reports, training manuals — these were my bread-and-butter. Many thanks for your help and guidance.

Thank you so much, Anne. Creative writing is much more fun. I found this really useful. Thank you. This list will be quite useful for my poetry and Gothic Horror novel.

Thanks, Sarah.

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The wind sighed. The leaves crackled and crunched under his feet. Use this list to make your writing come alive. Posted on 23rd Mayviews. This article has 6 comments. Thank you, Rowena. We really appreciate the feedback. And we fixed the typo.How do you write descriptively while also keeping the reader engaged? Try personification. Personification is a literary device used to describe a non-human thing as having human characteristics.

how to describe wind in a story

In autumn, I hear the wind. He is alive and leans in to whisper. His words are gentle and flowing. They carry a cadence of up and down, loud and soft, strong and still.

He tells me that it will all be ok; everything will turn out in the end. The silence is his breathing in. Here are four things Adriana does to personify the wind that you can use to personify anything:. Clearly, the first step to personifying anything is to refer to it using human pronouns. When you personify, you want to give the object human qualities that are already reminiscent of its own characteristics. So for a tall poplar tree, you might connect its height to the height of a father next to his little children.

Try having a dialogue with an inanimate object. It worked for Bambi. It can work for your writing. We all want to be reminded we are not alone.

Describe the night sky as if you were writing a story.?

What better way to do that than portray the world as not some cold scientific thing composed of atoms and cells, but a place where even the wind can hold your hand. Personify something. Whatever you want.

how to describe wind in a story

Perhaps the bookshelf in your office, the cool November air, your refrigerator, the tree in your backyard, your pet gerbil, or even the bird making a ruckus outside of your window. Write for fifteen minutes.Do you want a scene in your novel to be especially intense, emotional, creepy, scary, romantic or exciting?

In the dark or semi-dark, your PoV character will see less than in bright light, so use the sense of vision less and the other senses more. Insert sentences of this kind especially in moments of tense silence. They can help increase the suspense. However, this awareness lessens in the early morning hours. Artificial light affects how objects and people look. Candlelight tends to flatter the complexion, while white bulbs and neon tubes emphasise every wrinkle, blemish and scar.

Use this effect in your descriptions. To create a night-time atmosphere for your scene, also consider showing drawn curtains, or having your characters draw them against the approaching darkness. If you want to frighten your readers, give the point-of-view character light to see by at the beginning of the scene… and then take it away.

Try the effect of diminishing light for any scary or creepy scene in your novel. Your readers will shiver with delighted fear. Remember to use the senses of hearing, touch, smell and temperature, as well as other senses, such as taste, if relevant to the context.

Go out at night—perhaps to a place that resembles a location in your WiP, or somewhere bizarre. If you dare, or walk through a rough neighbourhood or visit the local graveyard at night. Stay safe! Best take your dog or an understanding friend.

Absorb the lights, sounds and odours of the place. Collect as many observations as possible and write them down, for use in a future story. Imagine the location of your night scene.

What smells might the PoV character notice? What noises can be heard in the background? How does the ground feel underfoot? Write at least five sentences about the setting — as many of them as possible about a sense other than seeing — and sprinkle them throughout your scene.

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Let it play out at night. Contents 1 Use different senses.By using our site, you acknowledge that you have read and understand our Cookie PolicyPrivacy Policyand our Terms of Service. It only takes a minute to sign up.

Could you say 'The gale was blowing about his jacket'? I'd like to express the repetitive movement of his jacket going from side to side.

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Whipping could be used metaphorically, to describe both the wind and the jacket:. In the continuous form, the word picture of "quick motion" is ongoing, evoking the image of a literal whip being drawn back and struck forward repetitively.

It applies to the jacket metaphorically as it moves back and forth, and applies to the wind as the cause of the jackets whipping motion.

Buffet verb : 1.

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Synonyms : batter, pound, lash, strike, hit; see google. Maybe battered?

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I assume he's wearing the jacket, not that it's hoisted into the air from the ground or a clothesline. But I suppose it could be used for describing the jacket's motion here. Sign up to join this community. The best answers are voted up and rise to the top. Home Questions Tags Users Unanswered.

How to describe a strong wind? Ask Question. Asked 5 years, 1 month ago. Active 5 years, 1 month ago. Viewed 29k times. Ivan Ivan 51 1 1 gold badge 1 1 silver badge 4 4 bronze badges. Do you want to describe the "strong wind" or the "motion of his jacket"? For the wind, you can look into "gust" noun"blustery" adjectiveor their synonyms.

The jacket flapping in the strong wind. The key here is: do you want to describe the gale or the jacket? Different subjects draw the reader's attention to different places. Active Oldest Votes. Whipping could be used metaphorically, to describe both the wind and the jacket: 2.

ScotM ScotM Whipping implies a strength of motion more commensurate with a gale than does flapping. I'd go with His coat was flapping in the wind. Buffeting : 1. Doesn't shredded have a much stronger meaning? His jacket isn't in pieces, it's just fiercely blown by the wind. His jacket fluttered in the fierce gale. Michael Rize Michael Rize 2 2 silver badges 7 7 bronze badges.By using our site, you acknowledge that you have read and understand our Cookie PolicyPrivacy Policyand our Terms of Service.

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It only takes a minute to sign up. So is there any way to show not tell ashes being blown away by the wind besides "the ashes were blown away"? Describe how they were blown away, how much there is, the strength of the breeze etc.

106 Ways To Describe Sounds – A Resource For Writers

Was it a gust or a gale? Did it billow out in a gently cloud or did it blanket everything nearby in choking ash and dust? What senses can be impacted sight, taste, sound, touch etc. This is where the show don't tell doctrine becomes particularly pernicious. It is all telling.

All you have is words. All words can do is tell.

106 Ways To Describe Sounds – A Resource For Writers

To apply show don't tell to prose, you have to show A by telling B. So, if you want to show that Joe is nervous you replace telling us he is nervous:. This is still telling. It is simply telling us a couple of facts that lead us to conclude another fact rather than telling us that fact directly. If you appreciate this basic fact, then the show don't tell doctrine loses much of its power to confuse and dismay.

Of course, telling the reader A and B in order that they should conclude C is a very common technique in all of fiction, and, indeed, all of communication.

It is powerful because when the reader reaches C by themselves, they own the conclusion far more than if you simply told the C. The reader may get tired of you forcing them to do all the work and want you to get to the point faster. You don't need them to reach every conclusion for themselves, and they don't want to either. And where does it stop? Why not decide to tell them D and E and hope they arrive at A by themselves.

But if you do, why not tell them F and G and let them get to D by themselves. This has to stop somewhere, and it always stops with telling. The reader may accept A and B and conclude Q rather than C. This happens all the time. It is why nervous authors often hedge their bets by showing and then telling:.

On of the reasons to be wary of adverbs is that they are often used by nervous writers to tell the reader what conclusion they are supposed to come based on what they have been told. We know now what the procedure must be. If the ash and dust being blown away is C, what are statement A and B that will lead the reader to conclude that the dust is being blown away?

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There are obviously a lot of things you could choose for A and B. But the real question is, what is the point. Show don't tell is most often invoked to show the character's emotional state by telling the reader what they are doing rather than what they are feeling.

But that is not the issue here. The dust being blown away is already a physical action. What is gained by forcing the reader to work this out based on other physical actions that you tell them about?I need some ideas and words that go with a night scene. I'm writing a story and am stumped on how to describe night. Thank you to anyone who takes their time to answer! The sun had completed its tour for the day, and had now been replaced by myriad stars, which dotted the inky canopy.

A low, waning gibbous moon hovered tenuously in the twilight firmament, bestowing a very dim light upon the land.

how to describe wind in a story

It was a cool, windy night; the swaying of trees and rustling of leaves could be heard but not seen, as the encompassing darkness had blotted out all but the faintest light. Briefly, a dark, wispy cloud eclipsed the crescent moon. For a few shadowy moments, it looked like there was a halo around the cloud, a dull aura of lunar luminescence.

Orion's Belt could be seen to the north. It had taken its place for the night amongst a thousand other celestial constellations known and unknown, real and imagined. It, too, succumbed to the veil of cloud cover. Patiently, it waited for the nebulous cirrus clouds to pass, waited for the moment it would shine bright once more.

It really depends. All narration has some sort of style based on the author, and third person narrators often have personalities or focus on certain details. Also, what's the weather like? What season is it? What is the mood of the scene -- tense, peaceful? What happened before the scene, and what is going to follow it? I mean, the sky is a black blob with a million glowing dots in it.

There are a LOT of options to work with, it all depends on what you're trying to achieve. A dark curtain fell over the land, twinkling spotlights adorning the velvet texture of the night. The velvety darkness seemed terrifying and inviting simultaneously.

One by one, small points of light popped up, illuminating the moonless sky